I just finished reading Hilary Mantel’s A Place of Greater Safety, all 900 pages of it – what a glory! Now I can’t understand how I could live three years in Paris and not really get the French Revolution.
I never knew that Robespierre and Camille Desmoulins were childhood friends, or that Camille was also friends with Danton. I guess I had the vague archetype of the revolution in my head… Louis called the Estates General in 1787, Bastille July 1789… but then it took two or three years before a Republic was declared, not until 1793 that Citoyen Capet was guillotined and then the Terror. I still don’t really know how the Terror ends and subsides into some status quo and then, not five years later, Bonaparte becomes consul…
Hilary’s research is extraordinary and it’s not surprising to learn later it was her first and unpublished novel, written in her 20s. There’s an energy and hunger for detail there that feel like youth… also the language. I’d like to think of an old writer having the gusto to make the at times uncouth Danton talk of Liberty being a “bitch who wants to be screwed on a bed of corpses”… but it seems natural in someone young.
What a character he is. And Camille and Robespierre and Lucile and Marat, each of them drawn so well that you feel it’s a convincing explanation of the dynamics of the revolution… how Danton and Robespierre could have accomplished so much between them by tacit alliance, yet personally dislike each other. How both of them were actually big enough not to let that get in the way… until events got out of hand and it was a challenge simply to stay alive for another day. Danton the hale and hearty, a merry revolutionary who can tell Sanson the executioner to make sure he holds his head up to the crowd at Place de la Revolution “it’s something worth seeing”. Max who is rescued from a mob by being pulled into a street on Rue Saint Honore and stays there for three years thereafter, guiltily sleeping with Eleonore the joyless daughter of the house while the worthy burghers pack the dining room with portraits of Robespierre. His prissiness, his ideological fervour and yet the strange parameters of permissiveness that went with it… like his early opposition to the death penalty and, later, to the excesses of the purge of the Church and freedom of belief. Danton six foot something, burly, ugly as sin but so much vitality that it seems to knock you over, Robespierre thin, precise, easy to imagine forgetting to eat.
And Camille, Camille, billed as the enfant terrible of the revolution, written into its lore from the earliest days due to the fact that he roused a rabble on July 12, 1789, jumping on the terrace of a cafe in the Tuileries. The hint of bisexuality, the total unpredictability, a mesmerising writer, a charismatic orator when he could get past his stutter. His flirtation with Annette and then married to Lucile and you feel like it makes sense, there’s a touch of Richard Burton and Elizabeth Taylor, two larger than life personalities whose antics and pathological mind games simply seem to confirm how madly in love with each other they really are. Gorgeous.
And little, grubby Marat, who Wikipedia says spent six years as a doctor in Newcastle in the 1770s.
Over time the nuance of a society in daily convulsions is teased out. Although our popular images of the revolution are of sans-culottes and tricoteuses, crowds baying for blood and an intense class consciousness,
Marat is the only figure who could be said to have derived his influence from the plebs – Camille, Danton and Robespierre were all lawyers from good provincial families, sent away to school, articled in Paris. Their ideas were certainly radical in terms of political order, but I think we have trouble looking back at radical movements in history without being caught in the ahistorical prism of class struggle in the Marxist sense.
There were debates for a short time on the fringes about whether there should be limits to private property – no feudal estates, for example, or commerce beyond the small enterprise… but they don’t seem to figure as central parts of any party’s platform… Arguably, the Putney Debates went further than that in England’s Civil War, 150 years earlier. As both Robespierre and Danton say at the end, the mob are fickle.
It’s a revolution led by lawyers, which explains its verbal exuberance. Hilary’s text is so rich it sent me scurrying to find the French quotes. Danton, when the army is one defeat away from foreign occupation of Paris: “il nous faut de l’audace, encore de l’audace, toujours de l’audace”. Robespierre condemning Louis: “Je prononce à regret cette fatale vérité… mais Louis doit mourir, parce qu’il faut que la patrie vive.” On the terror: “La terreur n’est autre chose que la justice prompte, sévère, inflexible”.
And, in terms of class consciousness, while it’s true that many aristos were guillotined, and “aristo” became a dangerous term of abuse about anything from shoes to breakfast preferences, many aristos were major players in the revolution. As well as Philippe Egalite, it was virtually defined in the first two years by a struggle between the Comte Mirabeau and Lafayette (of US fame). The top commanders of the army continue to be mainly aristos – Dumouriez & Arthur Dillon.
And I think its attractiveness is due to the fact that it’s a constant battle of ideas and words. Camille ends up becoming famous as a journalist – a pamphleteer – as was Marat, as were others, such as the Royalists in the early days and the Brissotins or Girondins afterwards. Camille in fact lives by the word and dies by the word. Such is the febrility of the times that although he had written La France Libre, his famous call for a republic, in early 1789, publishers had constantly rejected it…. and yet it took just four days after the storming of the Bastille for it to hit the streets on July 18. His last newspaper Le Vieux Cordelier, which he began in the middle of the Terror in December 1793, was what made Robespierre abandon him, leaving him to his many enemies, not least the scary Saint-Just. Let’s not forget Tom Paine was knocking around at this time too… in fact the feel of the kind of “journalism” it was seems very much like the post-newspaper Blogging universe of the Naughties… everyone is accustomed to the idea that a publication may go only several, maybe a dozen issues, before it folds into something else… as far as I am aware there weren’t any dailies as such during this time.
This makes it much more vibrant than the Russian Revolution. In many ways just as classic… the sense that even the people in at the start had no idea where it would finish, the endless complexities of factional fighting and so on… but Stalin and Trotsky weren’t busy slugging it out in a way of pamphlets against Kerensky and then against each other. You could talk of many overlapping dissonant political currents… not necessarily given voice to. Not driven by words in quite the same way.
The same with the Iranian Revolution… there’s really only Khomeini pronouncing and he doesn’t have a great many bon mots. Interviewed on the tarmac as he came back to Tehran airport from exile he was asked if he could tell the gaggle of reporters how he feels. “Nothing. I don’t feel anything.” he replied. Not that that was actually true, it probably says more about the sub-culture of that stage in the Islamic Revolution and where joy is in the pecking order of values… This is a man who, even though he writes mystical love poetry in Arabic, routinely looks at the floor when he is travelling by car so as not to have to see all the evil through the window. For a time there was Sadegh Ghotbzadeh, who returned from the States (my old alma mater, the School of Foreign Service at Georgetown!) to run Iranian media after the revolution and knew how to give an Ivy League version of events to the press pack camped in Iran through 1980… he had affairs with several women correspondents and his cachet in posterity is slightly increased by the fact he was shot for treason in 1982… but I’m not sure he had flights of eloquence in the same style as the French revolutionaries. I think the bar was so low it may simply have been amazing to the press pack that the Revolution had a spokesman who could speak fluent colloquial American.
And yet the words in the French Revolution are so tied to action, that’s what makes them exciting. And there is a raging battle of ideas, whereas in the Iranian Revolution there’s a strong strain of general agreement from the time that the Shah’s plane takes off that we want an Islamic Republic… it just takes two years and a war to shake that out into triumph of the clerics and wilayat-e faqih, a fangled doctrine of theocracy, rather than the more modernist concept many of the early student leaders had imagined…
So a half-decent PR flack and Khalkali, the Hanging Judge with a friendly grin on his face most of the time (as indeed does Ahmedinejad)… who was eccentric enough at least to spend his spare time writing an inditement of Cyrus the Great for homosexuality… and that’s about it for outspoken characters in the Iranian Revolution…
The American Revolution of course has plenty of words and plenty of battles of ideas, a fact you wouldn’t guess from the overwhelming aura of harmony projected back on to it by politicians of modern times… Adams, Jefferson & Hamilton were in a right old ding dong for years, Franklin always a great character. But I’m not sure about its claim to actually be a revolution. The fact is the Brits were a pretty sparse occupying power. There was a court and a feudal class but they were five weeks treacherous voyage away… and although the constitutional republic is a fine idea, with its lucid separation of powers, gnarled out by thinkers who, like the French, were not afraid of classical learning… it’s difficult to really believe it was a revolution in the way we normally use that word simply because there was hardly any civil strife and very low bloodshed – what kind of revolution has a (Boston) “Massacre” in which five people were killed by the oppressors?
But back to Hilary… More characters and more! The Duke of Orleans, later Philippe Egalite, whom it took two years to see he couldn’t use the revolution to get the crown off his cousin Louis… A man who used his vast patronage network to support Desmoulins and Danton for a long time, who was elected to the Assembly for Paris and who voted to put Louis to death… and with all that intellectually mediocre, perhaps with a certain aristocratic resolve but not a great man.
Manon Robert, the archetype of the brilliant salon hostess, whose husband committed suicide by stabbing himself on a park bench in a small country town four days after she was executed. Saint-Just who exceeds even Robespierre in his search for purity – what is it about purity which is always so suspicious? Danton’s two wives Gabrielle and the girl Louise. Mirabeau, so enormously ambitious… you have to wonder if some kind of constitutional deal would have been worked out with Lafayette and the monarchy if he had not died (of natural causes) in 1791. Louis and Antoinette don’t figure so much, it’s true but I like the focus where it is, with the revolutionaries. David popping up here and there, and a nice loop closed because you feel you know the story now of Marat in the bath.
I was surprised it ended with the executions of Danton and Camille in April 1794, since we know (God bless Wikipedia) that Robespierre and Saint-Just only lasted until July, and it was their deaths which spelled the end of the Terror in some enormous fracas where the house they were in was stormed at night, Robespierre tried to shoot himself but only succeeded in shattering his jaw, and they were executed the next day without trial… Robespierre was guillotined face up and apparently someone ripped the bandaging off his face as he was on the scaffold which was so painful he screamed like an animal until the blade came down. In his last meeting at the Jacobins, as the mood started to turn against him, he was silenced for a moment in response to catcalling… “Look, he chokes on the blood of Danton” someone called out from the room.
And even though it’s 900 pages, which might actually be the longest book I’ve ever read since I’ve never done the Russian classics, it seems to move at a dizzying pace at the end. You really get that sense of day to day living, the utter certainty everyone has that this will not last… it’s not tenable.
Will there ever be another revolution in that classic sense? I think not. I think it relates to the friction on the passage of ideas, or rather the lack of it now. I’ve been trying to put my finger on what feels different here in the Middle East from when I was first here in the 80s… in terms of players and the state of play of various causes, we’re in remarkable stasis compared to the change in most of the rest of the world. Israel still occupies the Palestinians who do not have a state. Iran still fiercely believes in Iranian exceptionalism, and the fact it is a regional power. Half the region still has sclerotic, geriatric leadership with no sense of dignity, and there’s still the same uneasy alliance between Gulf oil and American military projection. Now in response to that we do have political Islam, which in recent years took a spectacular turn with the emergence of al-Qaeda and 911 – and political Islam is a universal idea, one of the prerequisites for a revolution…
But… even if there is Islamist takeover of this or that state or political system, it’s just impossible to believe it will mean the same as it would have even only 20 years ago… because of the zillion channel age and Jazeera and MBC and the Internet and rude jokes by SMS… yes I believe it’s down to that. Revolutions could be looked on, like revealed religions, from a technological point of view – they are mechanisms that propagate memes in a particular way and in particular contexts. The printing press lies between them, but the age for both of them is past. How would Robespierre maintain ideological purity in the age of 100 million blogs? No homogenous view is possible any more. Yes it’s dirty dissonance from here on in…